The platform  will also enhance the experience of actual fairgoers, providing useful tools and information before, during and after the fair. Users can mark favorites, share artwork via Facebook, Twitter or email, access fair calendars and view the archives of participating events.

For galleries, increased visibility will improve traffic and sales, and users will be guided automatically from one fair to the next, ultimately fueling the growth of the fairs themselves. Through TheFairgoer, organizers will have world-wide access to new clients and infinite potential to expand their audience. Participating fairs include Slick Paris, Chic Paris and many more. To access the fair online, users must join the service and buy tickets.

The company Fairgoer LLC was founded in New York City by three art-loving friends, all architects from Italy. They created the website for everyone who shares their passion.

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Until October 31 Gallery Interart in Seoul, Korea, hosts the exhibition “Alessandro Mendini: Redesign and Revival” during the 7th edition of the Biennale Gwangju. The exhibition presents some of Mendini’s historically acclaimed work – such as the Kandissi sofa, the Proust armchair, Byblos casa furniture, as well as his objects for Zanotta, Alessi, Byblos and Zerodisegno.

Architectural models and drawings including the Groningen Museum also facilitate the understanding of Mendini’s innovative work – between art, design and architecture.

Following the public success, gallery participation, and sales figures of MiArt 2007, Milan was focusing on the thirteenth MiArt:Art Now, from 4th to 7th of April, 2008.

This unique event has turned Milan into a prestigious showcase for art and a point of reference for collectors, gallery operators, artists and curators. About 235 exhibitors, more then 35.000 visitors and over 12 thousand square meters of exhibition area .

Photogalery by Kei Nagayoshi
email: kei.nagayoshi@hotmail.it

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This exposition was reasserting its role as the only trade show in Italy able to offer a complete panorama of the art world through its 3 separate sections. Together, Modern, Contemporary, and Anteprima took in Italian and international art from the historic avant-garde to the most recent experimental works, attracting collectors with different interests and backgrounds.

We could see different artworks (paintings, sculptures, photography video and performing art) from modern classic art to contemporary art and anteprima, between which there were artworks from Dorazio, Ceroli, Rotella, Basquiat, Chagall, Balla, Andy Warhol, Lucio Fontana, Enzo Guaricci, Castellani, Yumu Karasumaru, David Raimondo, Sergio Lombardo, Aejandro Quincoces and many others.

During the exposition of Miart, the the prestigious conferences have been included. One of them is “Cina Intra/Extra Ovest,” which was the first event to establish a relationship of dialogue and exchange with China.

This year, the focus of Miart was on Latin America, a group of countries in perennial transformation in which the exigencies of art are defining a political and cultural identity.

First time under the umbrella title “fuoriMiArt-(con)temporary art” an unmissable program that presented the most exciting events in the whole city.

Also, The Miraggi project has grown from the desire of the Milan authority for urban design and parks to restore to its citizens a sense of Milan as a city that experiences art as a necessity, a right, a pleasure: A part of the whole.

For the end, the conclusion could be that Milan and MiArt have won again, that confirm the big interest of qualified public and the positive results of sales.

This site is for photographs taken where you are not allowed to take them. From the inside of the Kremlin to Kensington palace, from art galleries to war zones. There are pictures that range from the ordinary to the profound. From different categories, like art, design, music, politics, war , now we can found all photos which would like to see. As this photo that you can see, which is taken outside the entrance to the Taj Mahal in Agra (India).

Whatever the content or the quality though could tell that each one stands as a little piece of art in itself, as a little expression of personal liberty. As this photo, which is taken outside the entrance to the Taj Mahal in Agra (India).

This event is combining contemporary art with the concept of temporary. It presents “FuoriMiArt” , like series of exhibitions and performers, aimed at turning the curiosity of citizens in the art, while waiting for the important exhibition Miart which will be held in Milan from 4 th till 7 th of April.

Here, however, will be promoted the young art, innovations, new expressions and new developments in the visual arts.

The works on display are a dozen, all with references surreal within our dreams or our deepest nightmares. But, the real massage of the artist could be : have you ever wondered where are going to finish your dreams?

Further more, this exposition show us the creativity which explode in its honest form, then could be said this is a real contemporary art.

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Concerning the fair it will be hold in Milan Fairgrounds, Rho (entrance gates: Porta Est, Porta Sud, Porta Ovest) from 9.30 am until 6.30 pm, the fair will be open to the public on April 20th.

The excellence of the commercial offering, the massive variety of new items and products, the various stands and the arrangements ensure that any visit to the exhibition complex is rendered easier and more user-friendly.

As evey year, at the same time a range of collateral event will take place in the fair but also in different locatios throughout the city, attracting students, artists designers and curious and promising once more an unforgettable experience.

Other important events will take place in the backdrop of the “Sala delle Cariatidi” at Palazzo Reale in Milan,and in the Refectory at the Convent of Santa Maria delle Grazie (where the famous Da Vinci’s “last meal” is located.)

This is not only a forniture exhibition but also the most important design event of the year in Milan so make sure to be in town and have a look!

The theme of the exhibition, is the relationship between advertising and classical works, a link where advertising uses the tools of classical works, to give visibility and aesthetic sense to their products, while the classic benefits in turn from advertising, which create symbols and myths, developing a strong cultural interest for the art. This exhibition shows several examples of current advertising, but also historical update and export the concept of classical mythology and the iconographic images of modern mass communication. Some casts of classical statues, as a David by Michelangelo and Laocoonte, are getting put in comparison with their current versions and various posters, videos and refresher advertising, to confirm the thesis that the classic doesn’t afraid of rework.

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The aim of this exhibition is to give a prospective study in which experts and creative people meet each other to observe and give birth to new forms of cultural communication. A unique opportunity to observe closely, as the classical, and creatively reworked ironically, still manages to convey his power and aesthetics over time reassert its signs.

From January 30th till March 9th, in the Contemporary Art space it will be possible to admire his brand new site-specific project called Fatica 16 (Fatigue 16), as in his previous “fatigues” Daniele Puppi has always been dealing with art and space, and with space we do not mean a mere area but an interacting form participating actively as the base for every artwork.

Puppi uses his own body to measure, expand and dilate the space in a determinate amount of time, filming everything and then setting up brilliant video -sound installations. This concept is the core of his art.

So the audience will not only see the exhibition but participate to it, being surrounded and encompassed by a new disiorentated dimension, a new multisentitive experience to recognize the space, destructured and then rebuilt by the artist.

It’s very interesting to see what Daniele Puppi has obtained from Hangar Bicocca: bricks, concrete and sheets were the instruments he used to unveil the secret soul of that space.

He’s been working on it for sixteen days in a row to experiment with all the possibilities the hangar, looking just like a factory, gave him. He’s been fighting agains bricks and iron sheets, experimenting with the space, using walls in unusual ways , filming his continuous face-to-face duel with the Hangar. The duel ends up with the final fatigue, that determinate movement that projected gives birth to the heart of his work, as the synthesis of all possible actions and movements that could have been done in that same space.

We could spread rivers of ink writing about it, but this is not the kind of art you write about, this is the kind of art that needs to be seen and experienced.